Etta Evans Gilmore was born in Fleming County, Kentucky, on February 4, 1885, to Robert Evans and Matilda Fawns. She married Henry Steele Gilmore, a Bath County physician, around 1906. Their son Robert was born in 1906 and daughter…
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Etta Evans Gilmore was born in Fleming County, Kentucky, on February 4, 1885, to Robert Evans and Matilda Fawns. She married Henry Steele Gilmore, a Bath County physician, around 1906. Their son Robert was born in 1906 and daughter Lorena in 1910. She died on December 2, 1959, in Owingsville, Bath County, Kentucky, and was buried in the Hillsboro Cemetery in Fleming County.
She lived in Bath County for the last 51 years of her life, and was active in her churches and in her role as a doctor’s wife. The diaries that she wrote touched on the many people and activities in her life. After her death in 1959 and her husband’s death in 1973, the family donated the diaries to the Bath County Memorial Library’s local history collection.
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This is a handwritten series of lectures detailing Samuel D. McCullough's memories of his childhood and life in Lexington, Kentucky, accompanied by letters and a photograph of his house.
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Walking Tour
Join us for a walking tour of Downtown Lexington’s public art. The full tour is available as a single MP3, or you can download individual tracks. For the single MP3, music will play between the stops. You can pause the track while you walk between stops.
This tour covers a walking distance of 1 mile.
The music clips used in this tour are from “Walking Barefoot on Grass” by Kai Engel, and are used with a CCBY license. It is available here: http://freemusicarchive.org/music/Kai_Engel/
This tour has been updated to include the new mural at Stop #5, "In-Finito".
Join us for a walking tour of Downtown Lexington’s public art. The full tour is available as a single MP3, or you can download individual tracks. For the single MP3, music will play between the stops.
Fayette County churches contain some of the earliest records and information preserved about central Kentucky history. The digital archive contents include church ledgers, minutes, directories, and informational brochures.
The Daily Lexington Atlas ran from late 1847 through early 1849 and was Lexington’s first daily paper, and the first to publish information from the telegraph lines. It is described by William Perrin in his 1882 History of Fayette County Kentucky as a “red-hot Whig and fiery southern” publication. It contains some articles and editorials that are overtly racist, as the editors favored slavery, then emancipation only if the freed African Americans were immediately sent to Liberia. It covers the 1848 presidential election and the local election for Kentucky Governor. Perrin claims the paper had an extensive subscriber list, but had to “give up the ghost after several months disastrous experience” due to the expense of the paper.
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The Materials Selection Policy was initially adopted February 25, 1987 by the Lexington Public Library Board of Trustees and was revised March 24, 1993. The Materials Selection Policy was updated and renamed the Collection Development Policy which was approved by the Board on January 14, 2009. The Board of Trustees assumes full responsibility for all legal actions which may result from the implementation of any policies stated herein.
The Lexington Weekly Press was published every Wednesday in Lexington, Kentucky, and contained local, state, and foreign news. The paper focused on Central Kentucky’s “agriculture, manufactures and fine stock”, as well as literary and scientific news, market reports, and serial stories. Local weddings, deaths, community events, and elections for Lexington and the surrounding region. The paper was sent anywhere in the United States at a cost of one dollar per year.
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Scans of the Black Marriage records from the Courthouse in Greenville, Kentucky.
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The Fayette County Images contains photographs of Lexington and Fayette County Kentucky.
Fayette County's buildings contain a great deal of history about the region and its inhabitants.
The Lexington Public Library’s Digital Archives provide open access to researchers and students to learn more about the rich history of Lexington and Fayette County. It contains a fraction of the Library’s physical holdings, which are housed and available for reference in the Kentucky Room at the Central Library. New material is being digitized and added constantly, so there's always something new to find.
The Lexington Public Library receives most of its operating funds from an Ad Valorem property tax. By State law, the Library receives five cents for every $100 of assessed property value in Lexington and Fayette County.
The Lexington History Museum began in 1999, and opened its doors in the Old Courthouse in 2003. Its purpose is to educate Fayette County about its rich history, and preserve pieces of that history for future generations.
The Undesign the Redline project unearths the deep and systemic history of structural racism and inequality in the United States. This interactive exhibit explores policies like Redlining, their implications for today, and what we can do to undesign them.
The exhibit was created by social impact design studio designing the WE and has been invited to dozens of cities across the country. A local advisory group has helped to produce local history and stories about Redlining in Lexington.
Description coming soon.
Mariam interviews Peter Brackney, author of the 2014 book Lost Lexington, and creator of the blog The Kaintuckeean.
Jonathan Coleman guest hosts this episode, and tells his favorite ghost stories from his popular Lexington History Walks. Dr. Coleman conducts Lexington History Walks year-round, which can be booked on his website: www.drcolemanwalks.com
Mariam interviews Foster Ockerman, Jr., author of Hidden History of Horse Racing in Kentucky, and President and Chief Historian of the Lexington History Museum about his book and horse racing in Kentucky.
Brenna guests to share her research on three of Lexington’s Black enclaves, founded by formerly enslaved persons after the Civil War. She highlights the history we know, and points out that much of the history of these hamlets and their residents are lost
