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The Daily Argonaut began in 1895 and seems to have ceased publication in 1899. This collection includes scattered issues from 1896, 1897 and 1898. The paper focuses more on sensational news and tabloid-like reporting, though it later claims to be the only "Democratic Daily" in Central Kentucky. Many of the issues in this collection cover the Pearl Bryan Murder. The 1897 Courthouse Fire is also covered in detail.

The True American was an anti-slavery newspaper started by Cassius Marcellus Clay in June 1845. He ran the paper in Lexington until August of 1845, when he published an article deemed so incendiary that a court injunction was issued against his printing, and his press shipped to Cincinnati. An advocate of the right to a free press, and his right of free speech, Clay continued printing the paper through 1847 in Cincinnati. The paper was distributed in Lexington. While focused on advancing the cause of emancipation, Clay also published poetry, agriculture, labor, and commercial news. There are also marriage and death notices from the surrounding area, some national.

Cassius Marcellus Clay was a fiery figure in Kentucky history. He often fought in duels and in street fights, generally in response to arguments against his emancipationist views. Later in life, he often had shootouts with the Madison County Sheriff at his home, Whitehall.

After the publication of his incendiary editorial (August 12, 1845, page 3 columns 1-4), he is said to have armed his printing shop with two brass cannons and myriad other weapons to fend off any attacks. The committee charged with removing his press did so while Clay was incapacitated with a fever, avoiding what surely would have been a deadly counterattack from Clay. In the March 18, 1846 paper, Clay addresses the attack, and continues his fiery rhetoric, finally offering a discount to non-slaveholders in slave states.

Clay is featured in an episode of the Library’s podcast "Tales from the Kentucky Room", which is linked below.

The Library only has a short run of The True American. It has been digitized from the microfilm, which can be accessed in the Kentucky Room. Several issues have significant mildew damage, so in some cases the OCR quality may be poor, though the print itself is still legible.

• Listen to our interview with Tom Eblen about Kentucky Newspapers
• Listen to our podcast episode about Cassius Marcellus Clay

Issues available in the Library's Collection:

1845:

June 3

June 10

June 17

June 24

July 1

July 8

July 15

July 22

July 29

August 5

August 12

August 19 (missing pages 3 & 4) – The printing office was sacked on August 18.


1846:

March 18

Elmer L. Foote served as official photographer of the Cincinnati Public Library for many years, and produced photographs that appeared in the Cincinnati Commercial Tribune during the early years of the twentieth century. Lantern slides are glass positive transparencies, viewed through a back lit projector. The Lexington Public Library does not have record of when the slides were donated, or the donor’s name. Records do indicate that the library purchased a projectoscope for viewing glass slides in 1912, and a separate lantern slide collection was donated to the library in 1919. The slides contain examples of posed portraiture, scenery from around Kentucky, documentation of the new High Bridge, as well as several historic buildings and homes, some of which are unidentified.

He was born in Glastonbury, Connecticut on February 27, 1863, the son of Edwin Foote and Ellen Hodges Foote, both natives of Connecticut. He came to Cincinnati about 1884 and married Estelle Allee of Cincinnati in 1888. Foote died at age 56 in Norwood, Ohio on September 21, 1919 and is buried in Spring Grove Cemetery, Cincinnati, Ohio. Foote's obituary in the Commercial Tribune of September 22, 1919 describes him as nationally known, and mentions his "photographic genius." The article further describes Foote's pictures taken among the Cumberland Mountains and outdoor scenic snow views, appearing at intervals in the Commercial Tribune, as photographic classics.

The collection consists of an image, homemade brochures, flyers, pamphlets, and programs covering LGBTQ+ events and places from 1983 to 1999 in both Lexington and Louisville. Subjects include Leigh Angelique and other drag queens, Sweet Evening Breeze, Henry Faulkner, Greg Butler, the Royal Sovereign Imperial Court of All Kentucky and its Coronations, the Bungalow, the LMNOP, Jezebel’s, The Bar Complex, Crossings, Disco Circus, the Bluegrass C.O.L.T.S., AIDS Volunteers of Lexington, Johnny Angel’s, The Loft, and Trixie’s Hide and Seek.​

The collection is named in honor of Tina Belle Green Winters Simpler Young, known as Tiny, a sex worker who in the 1920s and 30s sent $5.00 a week home to support her sister. For a time, she worked in the Crawl section of Frankfort, then moved to Lexington, and finally lived the rest of her life in Cincinnati.

The queerness of sex work, a marginalized woman using sex to support family, provides context both to this collection bearing her name and to the LGBTQ+ community that has historically formed families on the social margins.

Founded in 1982 by Gigi Galore (Greg Butler) and Blanche Pink (Marlon Austin), the Imperial Court of Kentucky, Inc., is a nonprofit charity that supports the LGBTQ+ community of Kentucky “one dollar at a time” through drag shows, social programs, and fundraisers. The Court uses the modus of English peerage to establish male and female lines of descent, with the female line comprising of drag queens (i.e. performers in drag), with each year an empress and emperor being elected. These “royals” represent the court throughout the upcoming year. The Court is a charter member of the International Court System with kingdoms in the US, Canada, and Mexico. Member courts are autonomous organizations bound together in a shared structure, policies, and goals, fundraising for HIV/AIDS services, human rights advocacy, and other LBGTQ+ stakeholders.

The League of Women Voters of Lexington, Kentucky, was established in 1920. It is the local chapter of a national nonpartisan nonprofit organization that encourages informed and active participation of citizens in local, state, and national government. 

In January 1920, Lexington’s Leader reported, “The Fayette County Equal Rights Association will become the Fayette County League of Women Voters when thirty-six states have ratified the Federal suffrage amendment or the Kentucky Legislature grants presidential suffrage to women.” The 19th amendment to legalize women’s voting rights had been approved by both the House and Senate in July, 1919, and was submitted to the states for ratification, requiring 36 for adoption. Tennessee became the 36th state on August 18, 1920. On August 26, 1920, the nineteenth amendment was signed into law. 

Kentucky was the 24th state to ratify on January 6, 1920, and the local chapter of the League of Women Voters was formed, seven months before national ratification. In addition, on March 29, 1920, Kentucky passed and signed a separate bill ensuring that Kentucky women would have the right to vote, in case ratification was not reached. 

At the time, Madeline McDowell Breckinridge of Ashland was the president of the Kentucky Equal Rights Association, and Mabel Sawyer McVey was the president of the Fayette County chapter. These and many other organizations had lobbied for national suffrage, and women were able to vote for the first time in the 1920 election between Warren G. Harding and James M. Cox.

Since its creation, the League of Women Voters has played an active role in encouraging voter registration and civic engagement in the community.

The collection contains assorted membership rolls, photographs, and documents for the local chapter.